CIA - 1985 CRV Manual
https://www.remoteviewed.com/files/4.2.07/1985_CRV_manual.pdf
# Introduction
Stage | Example |
---|---|
I. Major gestalt | Land surrounded by water, an island |
II. Sensory contact | Cold sensation, wind-swept feeling |
III. Dimension, motion, mobility | Rising up, panoramic view, island outline |
IV. General qualitative analytical aspects | Scientific research, live organisms |
V. Specific analytical aspects (by interrogating signal line) | Biological warfare preparation site |
VI. Three-dimensional contact, modeling | Layouts, details, further analytical contact |
- Stage I
- Draw a quick ideogram. No visual feedback. Only kinesthetic.
- Stage II
- Sounds, smells, tastes, textures, temperatures, energies and colors. Still no visual.
# Ideograms
- The ideogram consists of three portions
- The ideogram
- A- The feeling/motion
- B- The automatic analytical response.
- How to do it
- Write the coordinate
- Place pen point on paper
- Keep it relaxed
- Now the unconscious response becomes the ideogram
- Write down A-
- Feeling: The basic feeling you’d feel if you were actually at the site
- Motion: The movement of the pen as the ideogram is produced
- Write down B-
- The automatic analytical response
- If it’s not truly automatic, then write there’s no response
- There are four types of ideograms
- Single
- A one-line drawing
- representing one idea.
- One A- and one B-.
- Double
- Two similar lines
- representing one idea.
- Up to five different A’s and B’s.
- Composite
- A drawing of $\geq3$ similar lines
- representing one idea.
- One A- and one B-.
- Multiple
- Combination of lines
- representing any number of ideas
- One A- and B- for each idea
- Single